Embodiment
Understanding customers by experiencing their perspective.
Understanding customers by experiencing their perspective.

Embodiment is a method that expands user research to include direct experience. Instead of simply analysing target groups, teams actively put themselves in their customers' shoes - and thus gain a deeper understanding of needs, behaviours and decision-making logic.
The method was adapted by the Cross Innovation Hub from the performing arts and film. The aim there is not only to understand roles, but also to embody them credibly. This principle is used in the context of innovation to visualise perspectives that often remain hidden in traditional research approaches.
User-centredness has long been considered a key success factor for innovation. In practice, however, it often remains abstract: personas are created, insights are gathered - but rarely really penetrated.
This is exactly where embodiment comes in. The method makes it possible to engage intensively with the target group early on in the process. Needs, hurdles and motivations are not only described, but also physically and emotionally understood.
In this way, undesirable developments can be avoided and innovation processes can be aligned more consistently with real needs.
Embodiment is based on working with personas that are described as concretely as possible. These fictitious characters serve as the basis for the subsequent role work.
The participants work in small teams and take on different roles: One person embodies the persona ("performer"), another observes and documents ("observer").
The performers put themselves in the everyday situations of their persona and interact with products, services or prototypes accordingly. This is not about acting, but about seriously acting out behaviours, decisions and emotions.
Guiding questions can help here:
Meanwhile, the observers record what they notice: reactions, insecurities, needs or unexpected behaviour patterns. The experiences are then collated, structured and reflected upon.
Embodiment creates a richer picture of the target group than purely analytical methods. The combination of a cognitive and emotional approach produces insights that can be closer to the actual usage situation.
The result is a holistic understanding of the customer - and therefore a reliable basis for user-centred innovations. After all, a development process that ignores real needs is costly and avoidable.
Embodiment is particularly suitable for
The method is less suitable when concrete, data-based decisions need to be made. Its strength lies in exploration - not in final validation.
An open attitude is crucial for embodiment to be effective. Assessments or feasibility discussions should initially be deliberately excluded. The focus is on understanding - not judgement.
The method is particularly effective as an introduction to further approaches such as scenario work or other foresight tools.
In the Cross Innovation Hub, we use embodiment to give companies low-threshold access to genuine user-centredness.
Active empathy creates new perspectives and often surprising insights - a valuable basis for the development of relevant and sustainable innovations.

As knowledge manager at the Cross Innovation Hub, Susanne is responsible for all questions relating to the theory of innovation, cross-industry collaboration, creativity, futurology, trends and much more. She develops topics, provides background information and decision-making aids, organises discussions and communication events on all issues relating to cross innovation and is always interested in learning and exchanging ideas.
Before joining Kreativ Gesellschaft, Susanne worked as a research assistant at the University of Hamburg and as a personal assistant to the theatre director at the Deutsches Schauspielhaus. In her work as a freelancer with creative people from various sectors, such as cultural professionals and artists, she has always marvelled at how naturally, quickly and enthusiastically they create new things and move openly in new terrain. It was therefore also a wonderful development for her when she was able to help develop the Cross Innovation Hub at Kreativ Gesellschaft and be part of it, opening up the strengths of the creative industries to other sectors of the economy.